Special thanks to staff from the Women's & Gender Center and The Common Magazine for recommending additional titles for this display. We will continue to update as new e-books come in!
Canto Hondo / Deep Song by Francisco X. AlarcónCanto hondo / Deep Song honors the Andalusian deep lyric, or canto hondo, poetry of famed Spanish writer Federico García Lorca through rich and expressive poems. Francisco X. Alarcón deftly places Spanish and English side-by-side in this bilingual collection that is a modern meditation on love, self, loss, and universal truths.
Publication Date: 2015
Comfort Measures Only by Rafael CampoIn Comfort Measures Only, Rafael Campo bears witness to the unspeakable beauty bound up with human suffering. Gathered from his over twenty-year career as a poet-physician, these eighty-nine poems--thirty-one of which have never been previously published in a collection--pull back the curtain in the ER, laying bare our pain and joining us all in spellbinding moments of pathos.
Publication Date: 2018
The Crazy Bunch by Willie PerdomoFrom a prize-winning poet, a new collection that chronicles a weekend in the life of a group of friends coming of age in East Harlem at the dawn of the hip-hop era Willie Perdomo, a native of East Harlem, has won praise as a hip, playful, historically engaged poet whose restlessly lyrical language mixes "city life with a sense of the transcendent" (NPR.org).
ISBN: 0525504621
Publication Date: 2019
The Darling by Lorraine M. LópezLatina bibliophile Caridad falls out of love again and again, with much help from Anton Chekhov, Gustave Flaubert, Theodore Dreiser, D. H. Lawrence, Vladimir Nabokov, Thomas Hardy, and other deceased white men of letters. Raised in a household of women, she rejects examples of womanhood offered by her long-suffering mother, her caustic eldest sister Felicia, and her pliant and sentimental middle sister Esperanza. Instead Caridad, a compulsive reader, educates herself about love and what it means to be a sentient and intelligent woman by reading classic literature written by men, and supplements this with life lessons gleaned from her relationships. Though set in Los Angeles from the mid-1970s to the mid-1980s, the narrative reinscribes Anton Chekhov's short story, "The Darling," first published in 1899. Like Chekhov's protagonist, Caridad engages in various relationships in her search for love and fulfillment. Rather than absorbing beliefs held by the men in her life, as does Chekhov's heroine, Caridad instead draws on her lovers' resources in attempting to improve and educate herself. Apart from Chekhov, various authors of classic literature further guide Caridad's quest to find herself and to find love, inspiring her longing for love, while also enabling her to disentangle herself from unsatisfying to disastrous relationships by encouraging her to strive for an ideal.
Publication Date: 2015
Furious Dusk by David CamposRhina P. Espaillat, judge of the 2014 Andrés Montoya Poetry Prize, describes Furious Dusk, David Campos's winning collection, as "a work whose five parts trace a son's efforts--only partially successful--to fulfill his father's expectations and--perhaps even more difficult--understand those expectations enough to forgive them." The poet's reflections are catalyzed by learning of his father's impending death, which, in turn, forces him to examine his father's expectations against his own evolving concept of what it means to be a man.
Publication Date: 2015
Hermosa by Yesika SalgadoHermosa is the path to becoming one's own home. A thread pulled when Salgado thinks about who she is and who she has been. Beyond the survival, grief, and fight, Hermosa lives in the small moments hidden beneath it all. A journey of firsts, of mistakes, of celebrations, of the love, the crush, the disaster, the rebuilding, and the never-ending cycle of growth.
Publication Date: 2019
Juliet Takes a Breath by Gabby RiveraJuliet Milagros Palante is leaving the Bronx and headed to Portland, Oregon. She just came out to her family and isn't sure if her mom will ever speak to her again. But Juliet has a plan, sort of, one that's going to help her figure out this whole "Puerto Rican lesbian" thing. She's interning with the author of her favorite book: Harlowe Brisbane, the ultimate authority on feminism, women's bodies, and other gay-sounding stuff.Will Juliet be able to figure out her life over the course of one magical summer? Is that even possible? Or is she running away from all the problems that seem too big to handle?With more questions than answers, Juliet takes on Portland, Harlowe, and most importantly, herself.
Publication Date: 2016
Kafka in a Skirt by Daniel ChacónThis is not your ordinary short story collection. In his newest work, Daniel Chacón subverts expectation and bends the rules of reality to create stories that are intriguing, hilarious, and deeply rooted in Chicano culture. These stories explore the concept of a wall that reaches beyond our immediate thoughts of a towering physical structure. While Chacón aims to address the partition along the U.S.-Mexico border, he also uses these stories to work through the intangible walls that divide communities and individuals--particularly those who straddle multiple cultures in their daily lives.
Publication Date: 2019
Latinx Art by Arlene DávilaIn Latinx Art Arlene Dávila draws on numerous interviews with artists, dealers, and curators to explore the problem of visualizing Latinx art and artists. Providing an inside and critical look of the global contemporary art market, Dávila's book is at once an introduction to contemporary Latinx art and a call to decolonize the art worlds and practices that erase and whitewash Latinx artists. Dávila shows the importance of race, class, and nationalism in shaping contemporary art markets while providing a path for scrutinizing art and culture institutions and for diversifying the art world.
Publication Date: 2020
Latinx Ciné in the Twenty-First Century by Frederick Luis Aldama (Editor)Today's Latinx motion pictures are built on the struggles--and victories--of prior decades. Earlier filmmakers threw open doors and cleared new paths for those of the twenty-first century to willfully reconstruct Latinx epics as well as the daily tragedies and triumphs of Latinx lives. Twenty-first-century Latinx film offers much to celebrate, but as noted pop culture critic Frederick Luis Aldama writes, there's still room to be purposefully critical. In Latinx Ciné in the Twenty-First Century contributors offer groundbreaking scholarship that does both, bringing together a comprehensive presentation of contemporary film and filmmakers from all corners of Latinx culture. The book's seven sections cover production techniques and evolving genres, profile those behind and in front of the camera, and explore the distribution and consumption of contemporary Latinx films. Chapters delve into issues that are timely, relevant, and influential, including representation or the lack thereof, identity and stereotypes, hybridity, immigration and detention, historical recuperation, and historical amnesia. With its capacious range and depth of vision, this timeless volume of cutting-edge scholarship blazes new paths in understanding the full complexities of twenty-first century Latinx filmmaking. Contributors Contributors Iván Eusebio Aguirre Darancou Frederick Luis Aldama Juan J. Alonzo Lee Bebout Debra A. Castillo Nikolina Dobreva Paul Espinosa Mauricio Espinoza Camilla Fojas Rosa-Linda Fregoso Desirée J. Garcia Enrique García Clarissa Goldsmith Matthew David Goodwin Monica Hanna Sara Veronica Hinojos Carlos Gabriel Kelly Jennifer M. Lozano Manuel M. Martín-Rodríguez J. V. Miranda Valentina Montero Román Danielle Alexis Orozco Henry Puente John D. "Rio" Riofrio Richard T. Rodríguez Ariana Ruiz Samuale Saldívar III Jorge Santos Rebecca A. Sheehan
Latinx Literature Now by Ricardo L. OrtizLatinx Literature Now engages with a diverse collection of works in Latinx literary studies, critical theory, and the philosophy of history, as well as a wide range of Latinx literary texts, in order to offer readers an alternative model of how Latinx literary scholarship and Latinx literary criticism might go about doing their work. It encourages practitioners in the field to reflect on literature and latinidad together as both parallel and intersecting historical-cultural formations, and to assess from that reflection how literary works might uniquely condition and depict latinidad as something other than a fixed, stable category of identity, as instead an ongoing process of becoming, one always capable of promise, but also always vulnerable to risk, threat, precarity and even disappearance: that is, as always more prone to the performative flash of an evanescence than to the ontological solidity of an event.
Publication Date: 2019
Latinx Theater in the Times of Neoliberalism by Patricia A. YbarraLatinx Theater in the Times of Neoliberalism traces how Latinx theater in the United States has engaged with the policies, procedures, and outcomes of neoliberal economics in the Americas from the 1970s to the present. Patricia A. Ybarra examines IMF interventions, NAFTA, shifts in immigration policy, the escalation of border industrialization initiatives, and austerity programs
Publication Date: 2017
Love War Stories by Ivelisse RodriguezThis poignant, street-smart collection follows idealistic teenagers and weary mothers battling over what it means to be a woman in love. From childhood, Puerto Rican girls are taught to want one thing: true love. Yet older generations are rife with broken promises and betrayal. While some believe they'll be the one to make it work, others swear not to repeat cycles of violence. Playing out are these 'love wars,' as individuals find themselves caught in the crosshairs of romance, expectations, and community.
Publication Date: 2018
Milk and FilthAdding to the Latina tradition, Carmen Gimenez Smith, politically aware and feminist-oriented, focuses on general cultural references rather than a sentimental personal narrative. She speaks of sexual politics and family in a fierce, determined tone voracious in its opinions about freedom and responsibility. The author engages in mythology and art history, musically wooing the reader with texture and voice. As she references such disparate cultural figures as filmmaker Lars Von Trier, Annie from the film Annie Get Your Gun, Nabokov s Lolita, facebook entries and Greek gods, they appear as part of the poet s cultural critique.
Publication Date: 2013
Palm Frond with Its Throat Cut by Vickie VértizPalm Frond with Its Throat Cut uses both humor and sincerity to capture moments in time with a sense of compassion for the hard choices we must make to survive. Vértiz's poetry shows how history, oppression, and resistance don't just refer to big events or movements; they play out in our everyday lives, in the intimate spaces of family, sex, and neighborhood. Vértiz's poems ask us to see Los Angeles--and all cities like it--as they have always been: an America of code-switching and reinvention, of lyric and fight.
Publication Date: 2017
The Wall by Ilan StavansWinner of the Massachusetts Book Award for Poetry The Wall is a poetic exploration--across time, space, and language, real as well as metaphorical--of the U.S.-Mexican wall dividing the two civilizations, of similar walls (Jerusalem, China, Berlin, Warsaw, etc.) in history, and of the act of separating people by ideology, class, race, and other subterfuges.
Publication Date: 2018
¡Manteca! by Melissa Castillo-Garsow"We defy translation," Sandra María Esteves writes. "Nameless/we are a whole culture/once removed." She is half Dominican, half Puerto Rican, with indigenous and African blood, born in the Bronx. Like so many of the contributors, she is a blend of cultures, histories and languages. Containing the work of more than 40 poets--equally divided between men and women--who self-identify as Afro-Latino, ¡Manteca! is the first poetry anthology to highlight writings by Latinos of African descent. The themes covered are as diverse as the authors themselves. Many pieces rail against a system that institutionalizes poverty and racism. Others remember parents and grandparents who immigrated to the United States in search of a better life, only to learn that the American Dream is a nightmare for someone with dark skin and nappy hair. But in spite of the darkness, faith remains. Anthony Morales' grandmother, like so many others, was "hardwired to hold on to hope." There are love poems to family and lovers. And music--salsa, merengue, jazz--permeates this collection.Editor and scholar Melissa Castillo-Garsow writes in her introduction that "the experiences and poetic expression of Afro-Latinidad were so diverse" that she could not begin to categorize it. Some write in English, others in Spanish.